Not Just a Business, But a Movement

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Three successful Black men and one successful Black woman have come together to launch a publishing company that is not just a business but part of a movement. The primary goal of Prosperity Publications is to publish books, in all genres, that carry a positive message about the strength, beauty and wisdom that we, who are a part of the Black culture, inherited from our wonderful ancestors. Our message to the rest of the world is a very simple one, and that is we refuse to stand by any longer and allow others to demean our culture based on a distorted definition of black. There has never been a greater insult in the history of all civilization, than what has been hurled at us for centuries. Black is ugly, black is the devil, black is evil; black is wicked, dismal and represents failure. We at Prosperity Publications say, “No More and Enough is Enough.” It is time for us to define ourselves and if others don’t approve we feel no obligation to them.

As primary keeper of the vision for this company, I arrived at my determination to no longer accept these insults through the wise words of three cultural icons. The first comes from the writings of Langston Hughes, in a book review of Native Son that appeared in the Crisis Magazine in 1941. Writing about the tragic character Bigger Thomas, Langston asked the question, “Where are the Black heroes in our literature?” The greatest of all our cultural icons was alluding to the failure of Black writers to create heroes in their works. Hughes went on to elaborate, “Where, in all our books is that compelling flame of spirit and passion that makes a man say, ‘I too am a hero because my race has produced heroes.” The great poet was expressing his disappointment with the manner that Blacks were depicted in novels at that time. He believed there should be a better balance in character portrayals. Not all Black men and women were troubled souls like Bigger, and not all Black men and women found it impossible to deal with both poverty and being black. He suggested it was time to break the cycle of negative characterization of the race.

The second significant influence came from another literary giant, Ralph Ellison, author of the great American classic, Invisible Man. He made the following observation as early as 1944, “The solution to the problem confronting the Negro will be achieved when he is able to define himself for what he is and what he desires to be.” Ellison obviously is referring to the fact that Black Americans have always allowed others to define them. And the definition has been based on the perverted concept of the color black as projected onto a race of people and their culture. Over seventy years later, Prosperity Publications is determined to do exactly what the great essayist and novelist suggested. We will define who we are through our publications.

And finally I was moved by the poetry of Dr. Maya Angelou:

“You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt,

But still, like dust, I’ll rise.”

 The sheer genius of Dr. Angelou is that she captures the essence of our struggle for a positive identification in this country, in four simple lines. She ends, however, with a message of hope, and despite the insults we have endured over the centuries we still have the capacity to rise.

The four managing partners and our investors are committed to participating in the larger movement to change the negative direction of our culture. We strongly believe, however, it begins with a new definition for the word black, and that also means alternatives to a lot of the music, the television programs, and the literature that dominates and inundates our communities. We choose to take on this battle in the literary world. Our company has a history of involvement in projects such as creative writing courses, lectures on our culture, and of course the publication of works that we feel meet our criteria of uplifting the culture and the race.

We invite all writers who share our vision to submit their works for review. We invite all readers also to peruse our works and strongly encourage you to read our publications. They are and will continue to be entertaining, enlightening and empowering. Join us in the movement to make a difference in the lives of our youth and adults as we work to make all our people repeat James Brown’s famous verse, “Say it loud, I’m Black and I’m proud.”

Visit Us Soon www.prosperitypublications.com

The Thrill Will Never Be Gone

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           On last Thursday, our culture and the world lost a giant of a man when the great bluesman B.B. King passed on to the next world, where I am sure he is gearing up to entertain as he did here.

What is most important is that we not concentrate on the lost of the physical man, but instead on the legacy of his music. B.B. King left his imprint on the culture much in the same way as Dr. W. E. B. Du Bois did in academics, Richard Wright in literature, and Jackie Robinson in sports. For that reason what he accomplished will live on. What more can an individual do in the short amount of time he/she visits this place called earth.

As far back as Ma Rainey, Bessie Smith, Robert Johnson and Ethel Waters, blues has been one of the mainstays of music within the African American culture. Many argue it is an off-spring of spirituals and just like Paul Robeson brought spirituals out of the cotton fields of the South to Strivers Row in Harlem, singers like Muddy Waters and B.B. King brought blues to the cities of America and that is why it must be considered as an important foundation within the culture.

Many of us can remember and still appreciate the men and women who sang the blues over the years. We can still hear Muddy Waters singing, “Got My Mojo Working,” or Little Walter playing the harmonica and also singing, “My Babe.” How about Z.Z. Hill, “Cheating in the Next Room,” and “Down Home Blues.”  And of course there was B.B King’s counterpart, Bobby Blue Bland who gave us, “Members Only, It’s a private party. Don’t need no money to qualify. Don’t bring your checkbook. Bring your broken heart ’cause it’s members only tonight.”  I can’t leave out Johnnie Taylor with, “We’re Getting Careless with our Love,” and “I Believe in You, You Believe in Me.”

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            Then there was Lattimore telling his woman, “Let’s Straighten It Out.” Now some of you probably will disagree with my categorization of Bobby Womack as a singer of the blues, but I feel that his “If You Think You’re Lonely Now, Wait Until Tonight Girl,” and “That’s The Way I Feel About ’Cha,” is close enough to be considered in that genre of music. The same can be true of Etta James when she sang, “I’ve Been Loving You Too Long (to stop now),” and of course, “At Last.” This music and all these artists brought something magical to Black America. They made it honorable to be Black and tolerable to be poor.

The one person who best personified that magic was B. B. King. When he sang and played Lucille, one felt centuries of struggle, strife, compassion, love and endurance. If you listen closely to the words in the song, “Why I Sing the Blues,” you get entertainment, history and empowerment. No matter where you lived in this country, be it Brown Bottom in Jackson, Mississippi, Southside of Chicago, Hastings Street in Detroit, Watts in Los Angeles, or Harlem in New York, the sounds of B.B. King could be heard coming from tenement houses, row houses, apartments and projects, nightclubs and local bars, and even in parks on any given Saturday night or Memorial Day, Fourth of July, Thanksgiving or just a plain old weekend.

The King of the Blues was returned to his home state of Mississippi for burial. He had chosen Indianola as his home even though he was born in the very tiny country town, Berclair near Itta Bena. He chose not to be buried in Las Vegas, Nevada where he passed away, but in the Delta, the very roots of his beginning. Mississippi Governor Phil Bryant ended his tribute to the state’s greatest musician with the quote, “He is the King. The thrill is gone.” Well, the governor got it half right. He is still the King; however, he also got it half wrong. The thrill is not gone and it will never leave us because of the grace and beauty of our culture captured in his music. The legacy has just begun.